Newburyport Public Library

Kehinde Wiley, a new republic, edited by Eugenie Tsai ; with an essay by Connie H. Choi ; plate commentaries by Lee Ambrozy [and 33 others]

eng

Includes bibliographical references (pages 182-188) and index

illustrations

index present

non fiction

Kehinde Wiley

bibliographycatalogs

890462668

edited by Eugenie Tsai ; with an essay by Connie H. Choi ; plate commentaries by Lee Ambrozy [and 33 others]

a new republic

"The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture. The exhibition includes an overview of the artist's prolific fourteen-year career and features sixty paintings and sculptures. Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives. The subjects in Wiley's paintings often wear sneakers, hoodies, and baseball caps, gear associated with hip-hop culture, and are set against contrasting ornate decorative backgrounds that evoke earlier eras and a range of cultures. Through the process of "street casting," Wiley invites individuals, often strangers he encounters on the street, to sit for portraits. In this collaborative process, the model chooses a reproduction of a painting from a book and reenacts the pose of the painting's figure. By inviting the subjects to select a work of art, Wiley gives them a measure of control over the way they're portrayed"--Brooklyn Museum website